
New CDs, movie role give Benny Golson rare level of exposure
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By Bob Karlovits
TRIBUNE-REVIEW MUSIC WRITER
Sunday, July 25,
2004
This is turning
into a Benny Golson summer.
Not only does he have a role in the recent
Steven Spielberg film, "The Terminal," but a new album with a related
name, "Terminal 1," has just been released by Concord, for whom he
just started recording.
In late August, Mosaic will release a
seven-CD compilation, "The Complete Argo-Mercury Art Farmer-Benny Golson
Jazztet Sessions."
It's the kind of presence jazz musicians
don't often have.
"I told Steven Spielberg he has been a
hero of mine since his first film, 'Duel,' but now he has become something of a
Shadow Warrior for me," Golson says from his home in Germany, where he
spends half the year.
Jazz fans don't need anyone to remind them of
75-year-old Golson. The composer of tunes such as "Blues March" and
"Killer Joe" has a spot in jazz history by creating songs that have
become representative of the art.
The All Music Guide, a Web site link to
recorded music at www.allmusic.com,
reports 232 versions of "I Remember Clifford," one of the most
haunting melodies in jazz.
Non-fans have encountered him in other ways.
In the late '60s, Golson wrote soundtrack music for many TV shows, including
"Mission: Impossible," "The Mod Squad" and "Room
222."
But the Spielberg movie gave him a little
boost.
He says he was thrilled at the idea of having
a small, speaking role in a film, but didn't know he would be playing himself
until he got to Montreal for the filming. And his role as himself is a key
element in the unfolding of the story.
He says when "The Terminal" was
released, he told his agent to use it as a way of putting together a new
recording contract.
"The very first company we went to,
Concord, was interested, so we went with that," he says.
There's one thing the movie didn't do, he
says: Change his approach toward playing or writing.
"That's always been the same," he
says.
And it's always good to stay in touch with
that.